Default-Male in Movies

A couple weeks ago, Polygraph released a massive study of dialogue in films, broken down by gender, and compared in various genres and other categories.

What I find most striking about this is that a lot of the skew comes simply from the number of male/female characters in the main cast. Sarah Connor has roughly as many lines as John Connor in Terminator 2, but she’s basically the only female character, so the film as a whole is 3/4-male dialogue.

But why is this? Why is it not at all unusual to have a movie that has an entirely male cast, or just a token female, but even movies whose premise could justify an all-female cast have several men? Sister Act, a movie about a woman hiding in a convent, has fully a quarter of the dialogue given to men. There’s no particular reason for the men to have that much of the dialogue, and other than the mobsters (who need to be men so they can’t easily infiltrate the convent), there’s no reason all the other character couldn’t be female.

The male equivalent of a movie like Bridesmaids could well have no significant speaking parts for women, and it wouldn’t stand out at all. Bridesmaids has six female leads, and still gives 18% of the dialogue to men; The Hangover has only 3 male leads, each of which has a female significant other, and yet women only get 11% of the dialogue. So it’s in part a matter of choice. Writers and directors are choosing to give all the dialogue to the leads in male-lead movies, and choosing to include significant male characters in female-lead movies. Similarly, there’s a general trend that when the lead character is a woman, the sidekick is a man; when the lead character is a man, the sidekick is a man. Why is this?

Why is it so hard to say “all characters are female, unless there’s a reason to be male”, but very common to start from the premise that all characters are male until proven otherwise? Why don’t movies start from the assumption that the lead cast (and the supporting cast, separately considered, for that matter) will be 50/50, roughly reflecting the populace, and only shift from that when story needs or exceptional actors dictate?

And, no, “that would be unrealistic” isn’t an argument. I mean, sure, for certain historical stories, gender skew reflects the times. But look what Outlander has been able to do in 18th-century Scotland and France: there were a lot of women in those places at that time, and it’s not that hard to include them in your story. And, ok, so you’re telling a real story—I get it, Woodward and Bernstein were, in fact, men, as were most (all?) of their sources and all of the people they were investigating. But that’s not most movies. Even most movies “based on a true story” are at least as far removed from the source as The Hobbit: the Battle of Five Armies is from The Hobbit. Why not, while making those changes, insert some women if there weren’t many?

(But please, do it well! Adding a character just so you can say there’s a female character, but not really integrating the character into the story, making them a love interest for no real reason, and then killing them off so that a male character whom you also added and wasn’t part of the original story can be the badass that kills the male villain whom you also added and wasn’t part of the original story is not really helping things. I’m pretty sure making a couple of the dwarves female would’ve been less jarring.)

And when you’re making up your story? well, you see, that’s the nature of fiction: you can decide the genders of the characters. It can be aspirational or inspirational, instead of “realistic”. You can make half the cops in your fictional police department in your fictional city women—so long as they act like cops, it shouldn’t really matter.

It’s not a perfect analysis, of course—sometimes the lead character is relatively taciturn. But looking at movies I’m familiar with, I think it’s safe to say the aggregate is pretty representative. Plus, they’ve got a detailed explanation of their methodology, a FAQ, and access to most of the data. And it’s sad.

It’s a truism that little boys aren’t interested in movies with female leads, while little girls are perfectly capable of identifying with male leads. I don’t know to what degree this is actually true, or if anyone has even researched it seriously, but how much of this is due to exposure? If boys and men can avoid movies with female leads and still have tons of choice, that makes it easy to be persnickety. Whereas if girls and women basically have the choices of “empathize with male leads”, “watch a very tiny subset of dramas and romcoms”, or “don’t see movies”—well of course they develop the ability to relate to movies that have male leads. Maybe if rejecting female action figures meant rejecting half the set (instead of just one token character), little boys would get over this.

Why Are We Afraid of ex-Felons Voting?

Opponents of enfranchising probationers and parolees have several rationales of their own. One is that people who have committed serious crimes aren’t people we want influencing our elections, because they’ll vote for candidates who are soft on crime: lenient prosecutors, lenient judges. —“Why Can’t Ex-Cons Vote?”

So, here’s a thought: if such a large percent of our populace is ex-felons that they could have a significant political impact on how we deal with crime and punishment, then we probably *should* be hearing from them. I mean, at the point where 10% of your population is ex-felons, it seems to me that something is wrong, and we *need* some changes in crime and punishment. Maybe those ex-felons have more, not less, legitimacy in weighing in on changes to the criminal justice system.

Heck, isn’t regulatory capture what conservatives are all for, when they can’t just eliminate government?

I’m not even convinced that people currently serving time should be barred from voting. Again, if you have a plurality of the populace in jail, something has gone wrong. If there are enough jailbirds that they can outvote the rest of the populace and set themselves free, maybe they should.

That is the real fear here, right? That they’ll just vote themselves out of jail through reduced sentencing or legalizing their formerly criminal actions or changing parole laws, right? Or, more generally, we’re afraid that if felons can vote, we won’t like what they “say”. Right now, they are voiceless—we don’t have to worry that our punishments are too harsh, or care what it’s like to try to get by in society with a felony conviction, because we do our best to make sure those people don’t have a say.

And I can certainly understand that. Because you know what we’d hear? That people are being made felons for voting. I mean, what better way to keep people disenfranchised than have convoluted rules that can be easily violated, and with no way for someone to fix it if they make a mistake? I would guess that there are more people who have become felons or been deported for the simple act of voting, than there are people who have actually committed intentional vote fraud. We’d probably also hear about how our criminal justice system is doing neither society nor criminals much good, and how recidivism, while certainly the fault of the recidivist, is fed by the many things we don’t let ex-felons do. Like hold a decent job. Or vote to change things so that they can hold a decent job.

Do there need to be consequences for breaking the law? Of course. But how many crimes should really carry with them the consequence of never again having any say in society, for the rest of your life? We’ll let you live here, and pay taxes, and maybe even have a job—but not participate in our democracy? What crime is severe enough to merit that, and yet not severe enough to keep the offender in prison?

Reading Comprehension—It’s Not Just for Lit Class

If you’re going to condemn someone based on their words, it behooves you to employ your reading comprehension skills so that you can actually understand what they wrote.

[This is no longer topical, because I didn’t realize I had never hit the “publish” button at the time. But the lesson still holds, and the example is still valid. Plus, the GOP will probably attempt to indict someone (anyone but the Congress that denied additional security funding for embassies before the attack, that is) for Benghazi again—9th time’s the charm!]

Continue reading

Batman v. Superman v. Storytelling

Just heard a news report referring to the “long-awaited movie Batman vs. Superman“.

Long-awaited by whom? I keep running into reviews of it, and articles scattered across the last 6 months, that imply or outright state that what fans of superhero movies, and particularly fans of Superman and/or Batman, want is to see them fight for no reason. Is there this huge market of people who care enough about these characters to be interested in this conflict, but don’t care so much about these characters that they mind that the person wearing the red cape shares none of the characteristics that have defined Superman for the last 75+ years?

Continue reading

Critique ≠ Hate

The AV Club posted If you like Return of the Jedi, but hate the Ewoks, you understand feminist criticism, and I have thoughts:

I actually don’t mind the ewoks —I think I was just young enough that the forced pathos wasn’t obviously forced, and I mentally explained their accomplishments as a whole people of super forest ninja commandos.

But the point stands: it is possible to critique something *and* like it. That’s where the phrase “liking problematic things” comes from. In fact, I’m one of those people that, in many cases the more I like something the more I critique it. I’ll also light into something that I think is awful, but the motivation isn’t that dissimilar—the difference is in how much I praise the thing, not in how much I critique it. This isn’t a zero-sum game where praise+critique is some sort of fixed quantity.

And to the specific point of this article: therefore, saying a movie is sexist doesn’t mean it is all bad. It could be an excellent movie in every other way that just falls short in this one area. But, on the flipside, that doesn’t mean such a shortcoming doesn’t matter. Not all criticisms are “just matters of taste”—well-done feminist critique (or any other sort of critique coming from an articulated formal intellectual framework) is identifying a real thing, even if there are debates about the details. Just as you shouldn’t confuse “this part of a thing is bad” with “the whole thing is bad”, don’t turn “this part of your argument doesn’t stand up” into “there is no merit to any part of your argument.”

iOS 9 Revokes Permissions?

iOS 9 introduced a bizarre permissions/sharing problem: Apps that need permission (at least some of them) to access some part of the OS no longer had it. So, Camera+ couldn’t access the camera, Fantastical couldn’t access my calendars. In both cases, the apps had had permission and I’d been using them right before the update. In both cases, the app directed me to go to the Privacy part of the settings and allow access, and in both cases where there should be a list of apps that have asked for or been granted access, there was nothing. I tried wiping and re-installing Fantastical in the hopes that it would trigger a request.

iOS 9.0.1 fixed this for me. The access came back without me even having to authorize it. (iPhone 5, in case it matters)

I’m tossing this up here because I couldn’t find anything online about it. So now there should be at least one Google hit relating to it, if someone else is having the same problem.

Whyfor Num Lock?

Quick thought here: (1) Why do extended keyboards—that is, ones with a separate number pad—even have a Num Lock key any more? (2) Why does Microsoft Windows default to it being off? 

I get why there is such a key on keyboards that don’t have a number pad, such as laptops. And it makes perfect sense if the “number pad” keys are also letters and stuff that you’d start with it off. But Windows ought to be smart enough to know the difference and choose appropriately—heck, my Mac can even handle the concept of having numlock on for one keyboard and off for another connected to the same machine simultaneously. 

But, more generally, when was the last time a keyboard was made that had a number pad but didn’t have arrow keys? And does anybody ever intentionally turn numlock off for an extended keyboard, in order to use the number pad as arrow keys (interspersed with a bunch of other keys) rather than using the even-closer dedicated arrow keys?

As near as I can tell (based on complaints I hear at work and online), it is solely a historical artifact, whose only purpose now is to screw up passwords and complicate data entry. 

And while I’m at it: why isn’t MSWindows, after all these years, smart enough to overrule that (and other modifier keys) in software with an easy-to-use interface? It’s clearly possible (since OS X can do it), so why do I have to do a registry hack or play around in BIOS (or UEFI, or whatever they are these days) settings to fix this idiocy?